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Film Analysis: Sleaford Mods' Jason Williamson Takes On Role in Sceptical Examination at Ecstasy Generation Era

The work of Portishead co-founder the musician-producer, this sharp-edged though undernourished debut feature turns a sceptical eye on the ecstasy-fueled club scene. Venal pillhead David (the actor) initially steals from an unconscious dealer, then in a later recollection tries to break into his own parents. Before you can say, he's overturned in the remains of his car in a woodland – and subject to the wrathful eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for townies, he is broken Britain embodied: “You’re one of those loud individuals from up on the heath.”

Unsteady Opening and Darkly Funny Duel

Game gets off to a shaky start, lingering excessively on pedantically chronicling David’s attempt to free himself from his seatbelt, while clumsily segueing into past scenes of his normal activities. The bigger point – that the ecstasy generation were primarily out for number one – is firmly made. But these vignettes are insufficiently developed to properly prime us for what to expect when the Poacher arrives, fuming after David strangles his dog. Nevertheless, a darkly funny standoff unfolds – David desperate to escape; the Woodsman denying his container of cider, intent on dousing him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is reminiscent of Michael Smiley.

Stylish Imagery and Music Video Sensibility

Just a single key story turn, but it leads to a comically executed rampage on the woodland paths that dips close to folk horror. Filmmaker John Minton at last unleashes with his ostentatious visuals: where he was focused intently doing impressionistic closeups of bugs in headlights in the early stages, he now lets rip with the full lysergic grand display, accompanied by a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.

The film is in British and Irish cinemas from 17 November.

Written by

Nancy Mason

An experienced educator and writer passionate about sharing knowledge and helping students excel in their studies.

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